Three young friends from Moscow are going to St. Petersburg to unwind. Unexpectedly for themselves, they buy a bar with their last savings and meet three guys who have one secret. A confrontation ensues, full of intrigue and unexpected twists. Will the girls be able to achieve success, or will they have to return to Moscow with nothing?

This is a very special kind of hang out, you've got to be into the ass to get in through the door. All the ladies here have a deep dirty desire to get some junk in their trunk. So pull out your cock for cover charge and let these whores have their fill.

Back in May of this year, there was a brief panic when all of Pro Wrestling Guerrilla's Social Media changed over to Bar Wrestling. Many feared the worst, that PWG had folded or been re-branded. But as it turned out, it was because PWG co-founder and former owner Joey Ryan was starting his own promotion, called Bar Wrestling, and still had control of the old accounts. PWG resumed life as normal, and on June 8, Bar Wrestling launched it's first event in Baldwin Park, California.

Superintendent Maigret is sent to Antibes to elucidate the murder of William Brown, a rich Australian who regularly disappeared to indulge in formidable drinking binges. In his footsteps, Maigret makes the rounds of bars until discovering the Liberty Bar, its welcoming patroness La Grosse Jaja and its equivocal clientele. It is without a doubt here that the key to the murder is to be found.

饰以人类表皮的肢体芭蕾。以超现实主义的肉体影象造就一场科幻意味的旅程，便有了这片中的草长莺飞。由 Clemens Kogler创作。

A bookmaker with a fancy for detective work attempts to prevent the execution of a potentially innocent man.

Angela and Samantha were best friends when they were little, but a trap of fate separated them for many years. An unmissable story of loyalty, friendship, courage and love.

A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.

Thomas (Juliano Mer) and his sister Mariana (Semadar Kilchinsky) have arrived together in Tel Aviv and set up housekeeping in the sleazy side of the city. Thomas makes his money as a "kept man" for two different women who are nightclub entertainers. At the same time, he attracts the attentions of an amorous transvestite. His unnatural love for his sister goes unexpressed, but his jealousy cannot be controlled. If his sister wants to lead any sort of a normal life, it will be up to her to break her dependence on her brother and move on. The films of Hungarian born Amos Guttman, who died of AIDS in 1993 at the age of thirty-eight, were among the first to depict gay life in Israel, but they did so from such a lachrymose perspective that they often garnered more criticism than praise in many Israeli gay and lesbian circles. In his films the protagonists are hopelessly caught in vicious circles of sexual and emotional exploitation. One could approach Guttman’s thinking in a variety of ways. On the one had, he was the product of a time when homosexuality was repressed and marginalized, so his cinematic response might be seen as entirely logical. To purge Israeli society of its internalized homophobia required an unapologetic look at the potential “monsters” that it had created. Similarly, one finds in Guttman a vision of sexuality that was concerned, not with normalizing gayness within existing social structures, but rather with shattering those structures and substituting alternatives in their place.

A love story between a lonely bar owner and a young African immigrant working in his restaurant leads to scandal and violence in a small Italian town.